Sale on the Cemetery Travels Notebook

From now until March 31, take $10 off the cost of the Cemetery Travels Notebook on Blurb.com. Use the code SHARE10. Here’s the link.

The Cemetery Travels Notebook is the place to keep field notes from your own cemetery adventures. It features 80 lined pages, interspersed with 20 lush full-page color photographs of cemeteries from Paris to Tokyo, with stops at Sleepy Hollow, San Francisco, and all points between, to inspire your wanderlust.

Photographer Loren Rhoads, editor of Death’s Garden: Relationships with Cemeteries and former cemetery columnist for Gothic.Net, now blogs about graveyards as travel destinations at CemeteryTravel.com. She’s a member of the Association for Gravestone Studies and the Graveyard Rabbits Association.

Ordering information:

The Cemetery Travel Notebook is usually available for $21.95 (softcover) or $38.95 (hardbound) from Blurb.com. See a preview at Blurb. With the SHARE10 code, you can take $10 off!

Praise for the Cemetery Travels Notebook:

“Loren Rhoads’ Cemetery Travels Notebook is the perfect notebook for a taphophile. It’s a lined notebook for all your note-taking needs. It’s also filled with beautiful full-color photos of monuments from the U.S. and beyond.” – Minda Powers-Douglas, The Cemetery Club

“The Cemetery Travels Notebook is really beautiful. It will be very useful.” – Jeane Trend-Hill, author of the Silent Cities series

“The Cemetery Travels Notebook is great! I love the photos and the amount of space for keeping notes and thoughts.” – Joy Neighbors, author of A Grave Interest

“I just received the Cemetery Travels Notebook.  The photos are inspirational and I love the fact that there’s a lot of writing space for my thoughts.” – Leni Panopio, Cypress Lawn Memorial Park

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Weekly Photo Challenge: Lunchtime

Vintage postcard from my collection.

Vintage postcard from my collection.

The photo prompt for this week was lunchtime: not an easy topic to illustrate on a blog about cemeteries. I usually shy away from photographing strangers when I see them in graveyards, in order to respect their privacy. I have seen people picnicking from time to time: everything from sitting in folding lawn chairs and hoisting bottles of beer in Forest Lawn Hollywood Hills to seated on a quilt and chiming their wine glasses together in Metairie Cemetery in New Orleans.

People used to picnic in graveyards all the time. Once cemeteries ceased to be burial grounds right in the heart of town, it took time and effort to reach them, especially in the days before paved roads. If you went to visit your relatives, you packed a lunch and intended to set a spell.

I have a couple of vintage postcards of picnickers, but my favorite doesn’t show any people. It’s labeled “Summerhouse, Prairie River Cemetery, Centreville, Michigan.” The summerhouse is basically a thatch-roofed pavilion with rough straight trees holding up a conical roof. Welcoming bent-wood benches wait inside.

Summerhouses were common in cemeteries — usually in the south, I believe — where a visitor would want some respite from the sun. Often they had enough room that you could erect a rough table and spread out your feast.

If you type Prairie River Cemetery into Google, only one by that name comes up. Centreville, Michigan, despite its name, lies in the southwest corner of the state, between Kalamazoo and Elkhart, Indiana, not too far from the shores of Lake Michigan. Google maps shows Centreville surrounded by farms even now.

Findagrave has a list of graves in the cemetery, but no historical overview for it. The USGW has a list of cemetery photographs, but the interface is clunky and frustrating. I don’t know if the summerhouse still stands.

My favorite part of the postcard is the message written in spidery cursive on the back: “Dear Cousin: So glad you and Marshal should clasp hands once more. So old fashion like. Wish we had some more ice cream as it is warm here.” It’s postmarked 1911.

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Cemetery of the Week #93: Montparnasse Cemetery

The Pigeon family monument, Montparnasse Cemetery

The Pigeon family monument, Montparnasse Cemetery

Cimetière du Montparnasse
aka Montparnasse Cemetery
3 Boulevard Edgar Quinet
Paris, France 75014
Telephone: +33 1 44 10 86 50
Founded: July 25, 1824
Size: 47 acres
Number of interments: more than 300,000 people in more than 35,000 tombs
Open: From March 16 to November 15: Monday to Friday from 8 a.m. to 6 p.m. Saturday: 8:30 a.m. to 6 p.m. Sunday and holidays: 9 a.m. to 6 p.m. In the winter, from November 6 to March 15: Monday to Friday 8 a.m. to 5:30 p.m. Saturday 8:30 a.m. to 5:30 p.m. Sundays and holidays 9 a.m. to 5:30 p.m.
Map: You can request one from any of the guardhouses at the gates or download it here: http://www.pariscemeteries.com/pdf/Plan-sepultures-Montparnasse.pdf

The Mairie de Paris organizes guided tours. For information, call 01 40 33 85 85.

The second municipal cemetery in Paris might be considered a poor sister to larger and grander Pere Lachaise, except that Montparnasse Cemetery is so full of intriguing and beautiful sculpture. Its flat, tree-shaded paths are pleasant to walk in any weather, but now that spring is coming and birds will fill the trees, it will be particularly lovely.

Montparnasse was recognized as an historic monument as early as November 2, 1931. It serves as the final resting place of Guy de Maupassant, whose short story “The Horla” scarred me as a child; composers César Franck and Camille Saint-Saëns, whose Danse Macabre you can hum, and Jean-Paul Sartre, author of No Exit, alongside his companion Simone de Beauvoir, whose book The Second Sex pioneered feminist theory.

Among the joys of Montparnasse are the two life-sized lions snarling atop one grave. A cloaked woman hunches over another monument, her face buried in her hands. Elsewhere, a crusader in armor, draped in a floor-length marble cape, keeps watch. Perched atop a mound of stone clouds, an angel sounds his trumpet directly into another grave. Nearby, a marker bears a deep relief of a shrouded woman, laid out of her bier, clutching her limp infant even in death. On yet another, a nude woman stands in relief, balancing a five-pointed star overhead as she poses before the pyramids of Egypt. A skeletal Death, clutching his scythe, lounges at her feet. By far the strangest monument is a rotund man-sized cat, painted with Op-Art flowers like something out of Yellow Submarine.

A gauze-wrapped corpse lay on the ground beneath one of the cemetery’s wall. Above it, a brooding bust protrudes from a marble slab. When I visited, a single red rosebud, its end wrapped in tinfoil, lay atop the marble corpse. This is the cenotaph in memory of Charles Baudelaire, the author of Les Fleur du Mal. (A cenotaph is a monument to honor a person whose remains lie elsewhere.)

Elsewhere in Montparnasse lies the grave Baudelaire shares with his mother and stepfather. That gravestone’s inscription makes no mention of Baudelaire’s worth as a poet. He died in Paris on August 31, 1867 of syphilis. His mother, who nursed him at the end, said he died with a smile on his lips. That seems unlikely.

Closeup of the Pigeon family monument

Closeup of the Pigeon family monument

Also in Montparnasse stands one of my all-time favorite grave monuments: a life-sized four-poster bed. On the bed lay a man and a woman sculpted in bronze. She sleeps beneath the covers, fully dressed in Victorian finery, complete with a veil. Half out of bed, he wears a coat and tie, boots, and clutches a book in one hand.

Useful links:
A brief history of the area, in English

A whole lot of photographs of monuments in Montparnasse

All the famous French people in Montparnasse

A great video compilation of all Montparnasse’s lovely monuments

Other Parisian cemeteries on Cemetery Travel:

Cemetery of the Week #10: Pere Lachaise

Cemetery of the Week #19: the Paris Catacombs

Cemetery of the Week #20: Napoleon’s Tomb

Posted in Cemetery of the Week, Famous person's grave | Tagged , , | 2 Comments

Phoneography Challenge: My Neighborhood

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Well, this is an experiment. I’m trying to use the WordPress app to blog from my iPhone. So far, not impressive. I couldn’t figure out how to put a photo at the top of my post and write text after it without publishing the photo first and then editing the post. More experimentation is required.

Anyway, it’s been way too long since I did a photo challenge. The subject of today is “My Neighborhood.”

There aren’t any neighborhood graveyards in San Francisco, although there are remnants of graves in many neighborhoods. The oldest of these are in the churchyard at Mission Dolores.

I’ve written about the Mission before, but not about my relationship with it. I’ve visited it more than any other cemetery in California in the 25 years I’ve lived in San Francisco. I’ve watched it change from overgrown and full of broken stones to a tamed rose garden to full of native plants and designed to teach about the early Mission days when the Spanish converted the Miwoks.

The churchyard used to be dominated by a huge mound of stone that harked back to the grotto of Lourdes. Now it has a large tule reed house, like the Miwoks would have lived in–although not in the graveyard. It strikes me as intrusive.

I shot this photo standing outside the graveyard, looking through the chain-link fence. The shady paths looked peaceful. A robin sang at the top of its voice. Spring is here and life goes on and that’s the most beautiful thing that I know.

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Cemetery of the Week #92: The Tomb of St. Peter

Exterior of St. Peter's Basilica on a rainy day taken by Mason Jones

Exterior of St. Peter’s Basilica on a rainy day taken by Mason Jones

St. Peter’s Basilica
Piazza San Pietro, 00120 Rome, Italy
Telephone: + 39 06 69 885 318
Email: scavi@fsp.va
Established: 64 AD?
Open: St. Peter’s tomb and the Vatican necropolis are only allowed 250 visitors per day. A guide leads small groups of 12 at a time, so you must request a ticket well in advance. Tours last an hour and a half. Details are here.
Admission: $16.50 for visitors age 15 and up. Children under 15 are not allowed.

In the bible, one of the apostles is called Simon until Jesus says, “You are ‘Rock’ and on this rock I will build my church, and the jaws of death shall not prevail against it” (Matthew 16:18). Simon became Peter, who denied Christ three times before the crucifixion and, after Christ’s resurrection, received the command to “Tend my sheep” (John 21:16). After Christ’s ascension, Peter was the undisputed leader of the new Christian church. The modern popes draw their authority as Successors of Peter.

On July 19, 64 AD, an enormous fire started in Rome. The initial suspect was Emperor Nero, who wanted to clear the area to build a more beautiful Rome. When he began to fear the civil unrest, he blamed the Christians. At Nero’s Circus, Christians were fed to wild animals, crucified, or turned into living torches so that spectacle could continue through the night. The remains of these martyrs were taken afterward to Vatican Hill, a Christian and pagan graveyard at the edge of town.

There is no contemporary account of Peter’s martyrdom, but later historians tell us that he was crucified upside down. The earliest surviving account of Peter’s martyrdom comes from a letter written about 95 AD, several generations after his death. It says that Peter was martyred in Rome and buried on Vatican Hill.

Interior of St. Peter's Basilica showing the baldachino above the altar over St. Peter's grave.

Interior of St. Peter’s Basilica showing the baldachino above the altar over St. Peter’s grave. Vintage postcard.

In 324, the Emperor Constantine – the first Emperor to convert to Christianity – began construction of a basilica (a large oblong building with a semi-circular sanctuary on one end) over Peter’s tomb. The building enclosed Peter’s tomb on three sides and allowed pilgrims to see it on the East. It was visible until Pope Gregory the Great covered it with an altar during his reign from 590-604.

By the 15th century, the basilica was in dire straits. It had been repeatedly sacked during the barbarian invasions and completely neglected with the Popes moved to Avignon. In 1506, Pope Julius II began demolition of the old basilica. It was completed in 1593, but by then, St. Peter’s tomb was covered in construction debris and lost.

When I toured the Catacombs of Saint Sebastian, the guide told us that graffiti found there said that Saints Peter and Paul had rested there. This confused me, since I knew Saint Peter was supposed to be buried under the basilica that bears his name in the heart of the Vatican. Church doctrine holds that Peter’s bones were taken from his grave during the reign of Emperor Valerian, when Christian graves lost their protected status. They were taken to the catacombs out on the Appian Way, where they were hidden until it was safe to return them to the original grave.

The "confessio" below the altar, above St. Peter's grave.

The “confessio” below the altar, above St. Peter’s grave. Vintage postcard.

The two basilicas and their attendant buildings covered much of the ancient Roman-era graveyard, but excavations of the area continue. One excavation beneath the floor of the basilica, begun in 1940, discovered stone tablets with inscriptions that showed veneration of Peter was well underway by 120 AD. It also discovered a tomb surrounded by a brick wall, covered in reddish plaster, that bore the graffito PETR and EN, which Vatican archeologists translated as “Peter is here.” Peter was buried beneath the present altar of the “Confessio.”

In 1941, some bones were found in a niche in the red wall, wrapped in purple and gold fabric. These were declared by Pope Paul VI to be the bones of St. Peter in 1968. The bones were placed in Plexiglas containers, ten of which remain in the tomb now.

Useful links:
A virtual tour of St. Peter’s tomb

A fully-illustrated guide to St. Peter’s tomb

A map of the Vatican grottoes

The Vatican’s English-language website

Other cemeteries in Rome on Cemetery Travel:
Cemetery of the Week #8: the Protestant Cemetery of Rome

Cemetery of the Week #15: the Capuchin Catacombs

Cemetery of the Week #29: the Pantheon

Cemetery of the Week #32: the Mausoleum of Augustus

Cemetery of the Week #67: the Catacomb of St. Sebastian

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