I’ve dropped the price on the Cemetery Travels Notebook, so it’s more affordable. Check it out!
The Cemetery Travels Notebook is a place to keep the field notes from your own cemetery adventures. It features 80 lined pages, interspersed with 20 lush full-page color photographs of cemeteries from Paris to Tokyo, with stops at Sleepy Hollow, San Francisco, and all points between, to inspire your wanderlust.
Photographer Loren Rhoads, author of 199 Cemeteries to See Before You Die and Wish You Were Here: Adventures in Cemetery Travel, blogs about graveyards as travel destinations at CemeteryTravel.com. She’s a long-time member of the Association for Gravestone Studies.
The Cemetery Travel Notebook is available for $19.59 (softcover) or $23.39 (hardbound) from Blurb.com. See a preview at Blurb.
Autographed and inscribed copies can be ordered directly from Loren via the Cemetery Travel bookstore in the tab above. For details or to request inscriptions, leave a message through the Contact Me form.
Praise for the Cemetery Travels Notebook:
“The Cemetery Travels Notebook is the perfect notebook for a taphophile. It’s a lined notebook for all your note-taking needs. It’s also filled with beautiful full-color photos of monuments from the US and beyond.”—Minda Powers-Douglas, The Cemetery Club
“Cemetery Travels Notebook is a great book for recording notes and thoughts while you explore cemeteries. It is also a unique gift idea for your taphophile friends.”—Andrea Carlin, Association for Gravestone Studies Quarterly
“The Cemetery Travels Notebook is great! I love the photos and the amount of space for keeping notes and thoughts.”—Joy Neighbors, author of A Grave Interest
“The Cemetery Travels Notebook is really beautiful. It will be very useful.”—Jeane Trend-Hill, author of the Silent Cities series
“The photos in the Cemetery Travels Notebook are inspirational. I love the fact that there’s a lot of writing space for my thoughts.”—Leni Panopio, Cypress Lawn Memorial Park
“I love my Cemetery Travels Notebook. It has beautiful pictures and fits into a purse perfectly. What more could you want from a notebook?”—Martha Allard, author of Dust and Other Stories
Many years ago, I started a channel on Youtube. It was intended to showcase videos I recorded, but over the years, I’ve appeared on a number of other people’s podcasts and blogs, talking about cemeteries.
The Cemetery Travel playlist collects interviews I’ve done with Joanna Penn of Books & Travel, Goth podcast Cemetery Confessions, genealogy podcast Extreme Genes, cryptozoology podcast Strange Familiars, and most recently with Tui Snider’s Tombstone Tuesday podcast. There are also some video clips from the interview I did with Bridget Marquardt for Ghost Magnet.
That playlist is a work in progress, so if you have a favorite video I haven’t included — or you’ve made one of your own that you would like me to check out, please send me the link.
I hope you’ll check out my channel. I’m working on another video that I hope to have finished in May. Let me know if there’s is anything related to cemeteries that you’re particularly curious about and I’ll try to assemble a video exploration on the subject.
Cemetery of the Week #174: Union Cemetery Address: 227 East 28th Terrace, Kansas City, Missouri 64108 Phone: (816) 472-4990 Founded: 1857 Size: 27 acres Number interred: 55,000 Open: 7 am to 5 pm daily.
Atop a hill overlooking the city lie the founders of Kansas City, Missouri. Union Cemetery is Kansas city’s oldest public cemetery, the final resting place of politicians, artists, war heroes, business leaders, and everyday people. Today it is advertised as Kansas City’s “most serene and historic public park.”
John Calvin McCoy came to this area as a surveyor working for the US government in 1830. In February 1835, he filed the plat for the town of Kansas. He owned a store which outfitted settlers moving west on the Santa Fe Trail.
The cholera epidemic of 1849 filled the existing family plots and the first city cemetery in Kansas City. City leaders spent years searching for a suitable replacement until James W. Hunter deeded 49 acres of his hilltop farmland to the Union Cemetery Association. The land lay halfway between the town of Kansas on the Missouri River and the town of Westport, which was a supply stop for wagon trains as they moved west. The cemetery, which opened in 1857, was envisioned as a “union” between the two towns.
A fire in August 1889 damaged the sexton’s cottage and destroyed the burial records. The loss was total, as many of the graves had only been marked by wooden or limestone markers, which have eroded over time. The cottage was burned again in 1985, but by then, the cemetery records were kept off-site. The Women in Construction in Kansas City rebult the cottage for the third time. It was rededicated in October 1990. Now it serves as a visitor center and gift shop. It’s only open Thursday and Friday from 10:30 am to 1:30 pm.
Missouri’s most famous 19th century artist, George Caleb Bingham, was a landscape painter concerned with the effects of light. His best-remembered work was the 1845 “Fur Traders Descending the Missouri,” now in the collection of the Metropolitan Museum in New York City. Bingham chose to be buried facing south in the cemetery, although the tradition was to bury everyone facing east, toward Jerusalem and the resurrection. Bingham apparently claimed that the Lord would find him, no matter which way he faced.
Alexander Majors was a partner in a freighting firm that led settlers across the prairie. His company founded the Pony Express during the Civil War. Although it only lasted 18 months, it cost Majors his fortune. He died penniless in 1900.
A small monument in the Kearney family plot remembers Hattie Drisdom Kearney. On Christmas Day 1855, she was sold as a slave. She was 11 years old. She begged a “kindly looking” man to buy her. After Charles Esmonde Kearney placed the winning bid, he freed her. When she told him she had nowhere to go, he hired her as a housekeeper and nurse. She worked for the Kearney family for 80 years, raising several generations. Now she lies amongst them.
By 1910, the cemetery was sadly deteriorated. The Cemetery Association sold 18 acres to fund upkeep. In 1937, the remaining 27 acres were deeded to Kansas City. The Native Sons of Greater Kansas City began a major restoration as its first community service project. The present gated entry was funded by the Native Sons in the 1950s. The iron fence enclosing the cemetery was added by the city in the 1990s.
The Union Cemetery is now maintained by the Kansas City Board of Parks and Recreation. It’s a beautiful place, full of history and beautiful monuments, well worth a visit.
Six or seven years ago, I had a brainstorm to create a video that would introduce CemeteryTravel readers to the cemetery where I grew up, the one that taught me to love graveyards. I quickly realized that I couldn’t film it by myself. Unfortunately, my kid wasn’t interested in serving as my camera person.
Another brainstorm later, I decided to ask my friend, collaborator, and former director Brian Thomas if he would shoot the video for me. When we were in college, I had the honor of appearing in some of Brian’s student films and I knew he has a gift with a camera. I asked him to shoot me gardening in front of my grandparents’ headstone and touching the Youell tree stump. He came up with all the other moving shots in this video.
We shot the footage in 2014 and there the project languished. Every so often I would open iMovie and take a stab at assembling the bits, but my lack of editing skill made the work highly frustrating and very depressing. The gulf between what I wanted and what I could manage was crushing.
It took another brainstorm to finally get the job done. Earlier this year, I approached my friend John Palisano, who had published the first edition of Wish You Were Here and created an amazing book trailer for me. I asked John if he would edit the raw footage together for me.
After John said yes, his son Leo got interested in the project and put together this lovely video. Leo edited the footage together, added some of my photos where pieces were missing — and then animated them, and put up with my niggling comments of shortening this piece or that. He chose the stone-grain typeface for the title cards. He added the blue jays from Brian’s original videos as intro and outro sound. He made the the video of my dreams at last.
I was literally incapable of making this video without their help. Thank you so much, Brian, John, and Leo!
The Cathedral Mausoleum at Our Lady of the Angels Also known as the Crypt of the LA Cathedral or the Saint Vibiana Chapel Mausoleum Address: 555 West Temple Street, Los Angeles, California 90012 Phone: 213-680-5200 Dedicated: September 2002 Number interred: 395, according to Findagrave
Note: the Cathedral Mausoleum remains closed at the moment, due to Covid-19 restrictions. Please check the Cathedral’s website or call before you visit to make sure it’s reopened.
In 1996, the Diocese of Los Angeles chose a downtown parking lot overlooking the Hollywood Freeway as the site of its new cathedral. Named for the city’s namesake, the Cathedral of Our Lady of the Angels was dedicated on September 2, 2002. It serves as the mother church to approximately five million professed Catholics in the archdiocese of Los Angeles.
Sealed into the floor around the altar are 26 relics, including Saints Benedict, Catherine of Sienna, Charles Lwanga, Elizabeth Ann Seton, Francis of Assisi, Gregory the Great, John Neumann, Martin de Porres, Patrick of Ireland, Rose of Lima, Blessed Kateri Tekakwitha (the first Native American saint), and Junipero Serra, who founded the Spanish missions in California in the 18th century.
In the Chapel of Our Lady of Guadalupe hangs a reliquary with a fragment of the cloak worn by Saint Juan Diego that was miraculously stamped with Mary’s image when she visited him. The postage stamp-sized relic may be the only one of its kind in the United States. It was given by the archbishop of Mexico City to the archbishop of Los Angeles in 1941.
In the Chapel of Saint Vibiana, in the crypt below the church, rest the bones of a third-century Christian martyr whose grave was discovered in the Pretestato Catacombs near Rome’s Appian Way in December 1853. The original grave was sealed with a marble tablet which was marked with a laurel wreath, which indicated she was a martyr for her faith. Also in the alcove was a rose-colored vial, believed to contain dried blood. Despite a lack of history or miracles, Pope Pius IX canonized her as a Roman-era Virgin in 1854.
Vibiana’s bones were encased in a wax effigy. Bishop Thaddeus Amat, charged with overseeing all of California south of Monterey, took her relics on an eight-month tour before they arrived in Santa Barbara. Sometime in the 1860s, her reliquary was installed in Los Angeles. The Italian Baroque cathedral of Saint Vibiana was dedicated in her name in 1871.
In the 1950s, the Vatican dropped Vibiana’s feast day from the liturgical calendar for lack of historical information. In 1976, her relics were removed from public view and entombed in a marble sarcophagus. In 1994, the Northridge Earthquake caused damage to her cathedral and the diocese of LA took the opportunity to build Our Lady of the Angels. Vibiana’s, which had been named a City Landmark in 1963, was deconsecrated and is now available for rent as a wedding venue.
The construction of the Cathedral of Our Lady of the Angels was overseen by Cardinal Roger M. Mahony, LA’s first native Angeleno archbishop, who was made a cardinal in 1991. A burial place is reserved for him in the crypt.
The Crypt Mausoleum of the Cathedral of Our Lady of the Angels lies one floor beneath the cathedral itself. It can be reached via the stairway or elevators at the rear of the Cathedral Church. The mausoleum is surprisingly large, containing some 1300 interment “crypts” and 5000 cremation niches, most of them empty at this time. Its walls are faced with polished Spanish limestone, lit by alabaster sconces.
It features 16 large baroque revival stained glass windows and 9 lunettes, brought from the original St. Vibiana Cathedral. The windows were created by the Franz Mayer Company in Munich in the early 1920s and restored by Judson Studios before being placed in the crypt. Since they are underground, they are lit from behind.
In the crypt stands a chapel dedicated to St. Vibiana. The altar was refashioned from the marble altar of her cathedral. The brightly painted stations of the cross came from St. Basil Church in LA. A marble sarcophagus contains Vibiana’s bones, still in their wax effigy. A replica of the plaque that marked her original grave hangs nearby, inscribed “To the soul of the innocent and pure Vibiana.” She remains the patron saint of Los Angeles.
Buried in the Bishops’ Crypt are Thaddeus Amat y Brusi (the first Bishop of Los Angeles, who brought Vibiana’s relics to LA), John Cantwell (the first Archbishop of Los Angeles), Bishop Thomas James Conaty (who oversaw the restoration of the California missions in the early 20th century), Bishop Carl Anthony Fisher (the first Black bishop on the West Coast), James Francis McIntyre (the controversial second Archbishop of Los Angeles, who became a cardinal), Bishop Juan Alfredo Arzube (born in Ecuador), and John J. Ward (who served in the Vatican II discussions). Several of them had been buried at St. Vibiana’s Cathedral before being reinterred here.
Other bishops have cenotaphs to their memories, including Bishop Joseph Sadoc Alemany, who was sent to Northern California during the Gold Rush. He is buried in Holy Cross Cemetery Mausoleum in Colma, California, south of San Francisco.
The most famous person buried in the Crypt Mausoleum is actor Gregory Peck, best remembered for playing Atticus Finch in To Kill a Mockingbird, for which he won an Academy Award. Peck was nominated five times for the Oscar and received the Academy’s humanitarian award in 1968. He served as president of the Motion Picture Academy and was active in the American Cancer Society, National Endowment for the Arts, and many other causes. He died in his sleep in 2003. He’s buried in the crypt beside his wife, philanthropist Veronique Peck, who followed him in 2012. Their epitaph crosses the front of both grave plaques. His says, “Together” and hers “Forever.”
Actress Joan Marlowe (born Gisela Goetten) was billed by Warner Bros. as “the most beautiful girl on the screen.” She appeared in the Rin Tin Tin movies, acted opposite John Barrymore in “Don Juan,” and played a recurring role in the “Our Gang” shorts as the teacher Miss Crabtree. She also appeared in the first Laurel and Hardy movie, “Pardon Us.” After she married in 1933, she stopped acting in films. Initially buried in San Fernando Mission Cemetery in Mission Hills, she was moved to the LA Cathedral crypt and interred behind the epitaph, “Help thy brother’s boat across and Lo! Thine own has reached the shore.”
Actress Helen Wagner was best known for playing Nancy Hughes in the soap opera “As the World Turns.” She spoke the first line on the show in 1956 and continued playing the part until a month before her death in 2010. She’s credited in the Guinness Book of World Records for the longest-playing of a single role. Her husband, producer Robert Wiley, is also buried in the Cathedral Mausoleum.
Buried near the papal cross beneath the cathedral’s altar is Bernardine Murphy Donohue, who was rewarded for her Catholic philanthropy by being made a papal countess by Pope John XXIII. After her death, her family’s mansion was donated to the Sisters of the Immaculate Heart of Mary as a retreat house.
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