Tag Archives: Colorado cemetery

Memorial Gardens

All photos by Paul Rich 2015.

by Emerian Rich

Given my penchant for the dramatic and my adoration for monument architecture, you might guess my most memorable cemetery would be one with gothic iron gates and angel statuary. While I enjoy visiting the Chapel of Chimes in Oakland, where the urns are shaped like books, and the Mountain View Cemetery next door, which features mausoleums dating back to 1863, the cemetery that speaks to me most is nothing like that.

Memorial Gardens Cemetery, located in Colorado Springs, is one of those boring graveyards you drive by without a thought of visiting. With a large mausoleum building circa 1960s, the rest of the property is just lawn with embedded gravemarkers in the meticulously manicured greenery. It’s dwarfed by the massive Rockies in the distance and often forgotten by cemetery enthusiasts looking for the more exciting history of Crystal Valley Cemetery near Miramont Castle in Manitou Springs, just twenty minutes away.

While my family most often remembers Memorial Gardens with a laugh because of an unfortunate event involving the sprinklers and Gram getting water in the face through an open car window (sorry, Gram!), for me it is much more. My connection with the marble slabs cannot be denied, even while living several states away.

rich (31)Memorial Gardens was my first connection with a place for the dead. My grandmother used to take me to her parents’ graves when I was little. I didn’t really understand what power the place held for her. I didn’t grasp the severity meant by those names written on the ground. She would shed a tear, leave some flowers, and then we’d go to lunch at her favorite restaurant. It was a momentous occasion, but I didn’t really know why.

In the winter of 1990/1991, I was seventeen. My mother and I visited my grandparents in Colorado and were told my grandfather was very ill. Grandpa Emerson was my favorite person in the world. He was my father figure, since I didn’t know my real dad. Grandpa embodied everything I thought was right in the world. Born as the smaller of twins, he weighed 2.5 pounds when they carried him home in a shoebox — in which they said he could be buried, if he didn’t survive. But Grandpa went on to have a family of five, with tons of grandchildren and great grandchildren. He helped weaker children, animals, and people throughout his life and always took care of those who might be too weak to care for themselves. Some of my fondest memories of him were when he cared for runt puppies or kittens that their mothers had rejected. He spent hours nursing the wee one, feeding it with an eye dropper and speaking to it as if it were his own child. His affection for small, weak things fell on me, I suppose. I was a preemie and the daughter of his youngest. I cannot claim to have the strongest connection to him, for he touched so many of us with his kindness and good nature, but on my part, I felt he was the most important person in the world.

Grandpa died that winter, despite all our efforts to care for him. His heart finally gave in and left us to suffer his loss. My world ground to halt as I experienced true heartache for the first time. How could I go on without him?

rich (19)The day Grandpa was buried, the wind blew ever-changing clouds overhead. I was sure it would snow. The ride to the cemetery was surreal. I had seen his still form in the coffin, his flat white hair that was usually fluffy, and his bright blue eyes behind closed lids. I knew he would not wake, yet I still thought he’d hold my hand as they lowered the casket. My mother and grandmother took solace in the figure of Jesus that could be seen on Pike’s Peak when it snowed. For me, I didn’t want God to have him. He was my grandfather, my gift that was taken away.

rich (1)The overcast cemetery was one I’d been to many times with Grandma, but this time it took on a more meaningful presence in my mind. The one I loved would be buried in that pungent soil, not too far from Grandma’s parents. I had never really known the grief that surrounded Grandma in those visits to her parents’ grave. Suddenly, the tranquil lawns of Memorial Gardens were a welcomed sight. No more did I view them as a waste of time or a boring trip with Grandma, the only highlight of which was the lunch afterwards. Now this place held my loved one and would later claim my grandmother as well. Before, I saw cemeteries as a place others went as an obligation, or to witness the works of talented sculptors. From that moment on, it became a sacred holding place, cradling the bodies of ones I love and that would someday cradle me.

Memorial Gardens has become a member of the family, sharing in our grief and love. It has a soul of its own, I believe, and reminds me of my grandfather. Not only because he’s buried there, but because like him, it takes care of those who can no longer care for themselves.



Emerian Rich is the author of the vampire book series, Night’s Knights. Her novel Artistic License is the tale of a woman who inherits a house where anything she paints on the walls comes alive. Emerian has been published in a handful of anthologies by publishers such as Dragon Moon Press, Hidden Thoughts Press, Hazardous Press, and White Wolf Press. She is a podcast horror hostess for HorrorAddicts.net, an international acclaimed podcast. To find out more, go to emzbox.com or follow her on Twitter: emzbox or Facebook: emzbox.


About the Death’s Garden project:

For the next year, I’m planning to put a cemetery essay up every Friday.  If there is a cemetery that has touched your life, I would love to hear from you.  The submissions guidelines are here.

An introduction to graveyards in the West

Pioneer Cemeteries: Sculpture Gardens of the Old WestPioneer Cemeteries: Sculpture Gardens of the Old West by Annette Stott

My rating: 2 of 5 stars

It’s rare for me to give a cemetery book such a low rating, but it’s rare for a cemetery book to contain so much dry information that even my interest wanes.

I assumed, from the subtitle, that this would be a book about the West. In this case, the west is limited to the Rocky Mountain states. Since I live west of that, I struggled with my disappointment. Also from the subtitle, I assumed this would be a book about cemeteries as “sculpture gardens.” While I hoped for an accent on the garden aspect, Stott accents the sculptors rather than their works. The horticultural details gets scant attention.

The text focuses on the business aspects of the cemetery trade. I find that I am more interested in the stories recorded in stone than in the stone carvers. I wanted to spend more time in the graveyards and less time in workshops.

I read this book in advance of a trip to the Salt Lake City, hoping to glean some background that would add richness and depth to my exploration of the Salt Lake City Cemetery and the smaller Brigham Young and Kimball Family Cemeteries. Instead, the beautiful historic cemetery, which easily rates a chapter of its own, gets short shrift. Then again, no one seems to have done justice to the graveyard with a book of its own, so perhaps that information is impossibly difficult to come by?  The smaller cemeteries don’t get mentioned at all.

All the same, the book has encouraged me to visit the mountain cemeteries of Colorado.  Apparently, that’s where the author was based, so the area gets more of her attention.

You can check out the book for yourself on Amazon: Pioneer Cemeteries: Sculpture: Gardens of the Old West

View all my reviews on Goodreads.

Cemetery Postcards

“The most interesting of New Orleans’ historic burial places…”

Ten years ago, I started to collect antique postcards of graveyards.  I was entertained that such a thing existed:  why would anyone buy, send, or save a picture of a cemetery?

Things people chose to commemorate fascinated me.  There seemed no end of variety to the images of Grant’s Tomb or New Orleans’s Saint Louis Cemetery #1. Sometimes cards showed a famous person’s grave:  Buffalo Bill Cody’s stone under a lonely leafless tree or Benjamin Franklin’s slab against the fence in Philadelphia.  I understand the star power in those images.

“Where the Famous Scout Rests Forever”

Other photographs displayed the cemetery all gussied up for Decoration Day or All Soul’s Day.  Flags and flowers fluttered everywhere, their colors over-saturated by the printing process.  Women wore brightly flounced dresses and carried parasols; their heads leaned together in earnest conversation.  The cemetery looks fun, full of life.

Some photos showed simple landscapes with a gently reflective lake or a flowering tree, like scenes out of Eden.  When you look closely, there might be a hint of the landscape’s purpose:  a simple headstone, a Grecian temple tucked among the hills.  Sometimes Nature cradles tiny figures:  people picnicking amongst the graves, a man in a straw boater posing beside his Model T, or someone standing with arms draped around a monument like it was part of the family.  I see the appeal of these peaceful scenes.

Sometimes, though, there is nothing special about the view or the graves or the cemetery itself.  Those cards were made to advertise graveyards, like calling cards.  While I understand the purpose behind the creation of the cards, less clear to me is the motivation of their collectors.  Were these memento mori?  Treasured mementos?  Was looking at them a form of armchair travel?  I still don’t know.

Not all of my vintage postcards were sent through the mail.  The posted ones are my favorites, since they hint at the people who wrote or saved cards.  I love to read about the weather or the other places the authors visited.  One phrase that turned up again and again startled me.  “Wish you were here,” the ubiquitous vacation greeting, takes on a whole new meaning when written on the back of a cemetery photograph.

I assume that the senders meant they wished the recipient could have come along for the trip.  However, the phrase could also be read to mean, “I wish you were buried here.”  I found the dual meaning funny.

“This is a picture of something I hope you’ll see someday.”

When I couldn’t decide on a title for my collection of cemetery travel essays, I looked through my box of postcards.  Now I’m calling the book Wish You Were Here.

Every Friday, I plan to display some of my  collection of cemetery postcards.  I think there’s a lot we can learn from them:  about how cemeteries fit into their societies, about the things people treasured and loved and saved, about the past and its reflection in our present.  I hope you’ll find them as fascinating as I do.

The cemeteries featured in this article are:

Cemetery of the Week #6: St. Louis #1 in New Orleans, Louisiana

Cemetery of the Week #11:  General Grant National Monument in New York City

The other postcard essays are:

Cemetery postcards: the earliest years

Cemetery Postcards: The first real postcards